LIMBO
152km of barbed wire, electrified railings, watchtowers, armed guards and thermal cameras lie along Hungary's southern border.
A clear and conspicuous dividing line between an undefined us that declares itself under attack and those who want to enter. We the Christians, we the cradle of civilization and the land of well-being, we who are ageing and who, no matter our political alignment, do not tolerate change. They are many, but they are not one and the same, even if they are generally marked by the colour of their skin. They run, often frightened, sometimes aggressive, almost all young and male. Over time they have become entities rather than people. Migrants in the Mediterranean, Turkey, the Balkans, and Mexico, they are everywhere. And they often come to a point where their journey stops, turning into a stasis that can last for years. A sort of limbo anchors them to borders where the natives start to hate them and television makes simulacra of them.
These images are just a small cross-section of one of these indefinite realities. Since the construction of the wall, many try to get around it passing through Romania, then try to cross the entire Hungarian plain to arrive in Austria. They call it the "game", the irony of desperation. They get up in the middle of the night, rucksacks and plastic bags with a few supplies and set off towards the "triple frontier". They wait for the guard change and start running. 9 times out of 10 they are caught and sent back. They are often beaten or even stripped, sometimes their cell phones confiscated. They are rarely arrested, nobody wants to keep them. They then rest for a few days and try again. They try again and again, some seem to do it by inertia after 52 times. To give meaning to life and leave that limbo.
Text by journalist, Sabato Angieri.
Reportage realized in collaboration with L’Atlante editorial.
Assistant photographer Filippo Marfè.
Csaba Rusen
CAPTAIN OF THE CIVIL GUARD
Újszentiván, Hungary
BASHIR
SYRIAN MIGRANT
MAIDAN, SERBIA
FARMER
MAIDAN, SERBIA
farmer
MAIDAN, SERBIA
It’s hard to describe all of the feelings that I experienced on that journey. A sense of guilt, sadness and hope came together in a strong need to create something that could help to know these people better, those that are frequently depicted as different. Behind them were the skies of Magritte and Michelangelo, and with a renaissance like composition and commercial photography lighting, I tried to bring them closer, albeit just symbolically, to an aesthetic considered part of our culture. But they are travellers, they walk for long distances, they have dreams to realise, and we have so much to learn from them.
They sometimes appear in my dreams to quickly disappear, these images are helping me to never forget them.
Gianmaria